Shaikh Ahmad I bin Jabir Al- Arabic names are used in the Arab world, as well as some other regions within the larger Muslim world. They are not necessarily of Arabic origin, though most in fact are. Listen to your favourite Hindi, Punjabi, Pakistani, Ghazals, Pop, Filmi, and Bhangra songs in Real Audio and MP3 format. A list of films produced by the Bollywood film industry based in Mumbai in 1944.
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Top 1. 0 – The Romantic Filmi Qawwali. Qawwali is to the dargah what a bhajan is to the temple – an open line of communication with God, a glorifying musical sonnet, acquiescing to his command as the almighty and entreating him with supplication of pure love. Amir Khusro with . For a more detailed analysis of the traditional qawwali, you could visit this link. As moderated by Bollywood, this devotional love transmuted into the romantic realm. For the purists, it diluted the somewhat somber image of the qawwali but extended its popularity and longevity across continents by taking it to the living rooms of the uninitiated. There were two cinematic improvisations as well.
Harnam Singh Rawail (21 August 1921 – 17 September 2004), often credited as H. Rawail, was an Indian filmmaker. He debuted as a director with the 1940 Bollywood.
Firstly the chauvinism, with no known precedence of women singing qawwalis, was corrected. Secondly it introduced a contest format whereby two parties, sitting opposite each other competed in an arena like setting through vocal calisthenics. This battle predominantly was between . It begins with a musical interlude followed by an alaap (long intonation of the various notes), moves on to introduce the main lyrical body and a gradual addition of accompanying musical instruments (harmonium, tabla, dholak, sitar and sarangi are favored) as the tempo increases, with the chorus repeating the refrain after the lead vocalist with a cyclic clapping of hands while building to a crescendo. Since its first screen appearance in the film . And for sake of clarity I have delineated them into two categories: the romantic and the non romantic qawwali. Every worthy film qawwali qualifies with certain parameters: It.
Na toh karwan ki — Yeh ishq ishq hai – Barsaat ki Raat (1. Vexed heart of a Qawwali party’s lead singer bleeds for a down on his luck poet who, in turn, is besotted by the one he saw one rainy night. The gradually rising cadence, the amalgam of the sitar and the saarangi and the floating, unencumbered notes nourishing the vocals. All this is sustained by the fluid camera movements of director P L Santoshi and judicious editing by P S Khochikar. Teri mehfil mein kismat – Mughal e Azam (1. The kaneez (servant) is challenged to a war of verses by the princess in waiting in a mini contest setting with the judgement to be passed by the prince. While one believes in surrendering to love until death .
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Yeh maana meri jaan – Hanste Zakhm (1. A wealthy heir chucks the affluence, becomes a cab driver and falls in love with a fallen woman. Of course the bourgeois defenders of . Nonetheless, with Chetan Anand writing and directing, the ideal of socialism is bound to get its share of the limelight. The genre gets an improvised and robust Punjabi Dhol style treatment from Madan Mohan Kohli, the ghazal musical maestro born in Baghdad.
He infuses it with an infectious energy as Kaifi Azmi’s poetry provides the balance. Rafi rules, Navin Nischol can’t dance saala and we see all of Priya Rajvansh’s three and a quarter expressions. Chandi ka badan – Taj Mahal (1. Honestly it was a kitschy item song of that period. The film itself had little historical or artistic merit. Praise be to the producer A K Nadiadwala who had the vision to hire the hit team of .
Shot largely against a painted background, its a true contest between . Phir tumhari yaad aayi ai sanam – Rustom Sohrab (1. This is a pre- horror Ramsay production, their first.
A fusion of a ghazal and qawwali, it’s dulcet tones and lilting melody will stay with you when afar from your beloved. The screenplay, based on Agha Hashar Kashmiri play from 1.
Ostensibly, this inspired the song . The unnamed actors carry the qawwali with. Sharma ke ye kyun sab – Chaudvin ka Chand (1.
The third film features here from 1. Waheeda Rehman provides timeless glamour with Rehman playing peeping tom. Parda hai parda – Amar Akbar Anthony (1.
Rishi Kapoor had no need to imbibe the nuances of performing a qawwali. He was genetically blessed by the Chishti peers. Desai directed four of the five top grossing in 1. This qawwali . Nigahein Milane ko Ji chahta – Dil hi toh hai (1.
The big guns, Sahir and Roshan combine again, this time throwing the gauntlet to Asha Bhonsle. Asha was usually slotted to sing seductive numbers as her voice was considered to be much smaller than her big sister’s. When. Raj Kapoor and Pran provide comic relief. Hai agar dushman – Hum Kisise Kum Nahin (1.
The qawwal and his party get a pop avatar in costume, set design, lighting and scale. Nasir Hussain’s flair for song picturisation shines bright and Munir Khan’s camera work complements it further. Post . Allah yeh ada – Mere Humdum Mere Dost (1. The differential factor of Laxmikant Pyarelal’s music was a dominating . A virtuoso display of the same is given here by their musicians, Rashid Khan and Mumtaz Ali – almost the entire qawwali is driven by the rhythm of the dholak. A diffferent, more delectable Mumtaz is also the cynosure of all eyes as an upset Dharamendra refuses to partake the pleasure of the festivities in his and Sharmila’s honor.
Mumtaz displays why, in the next two years, she was to become the biggest female star. Hrishikesh Mukherji edits with finesse as Lata mesmerizes. Link: Top 1. 0 – The Non Romantic Filmy Qawwali.