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Dhafer Youssef - Official Website. Fran. The son of a modest family from this Tunisian Center- Eastern fishing village, he comes from a long line of muezzins. Mastering vocal performances is to him a heritage and a family tradition.
At an early age, his grandfather initiates him to quranic recitals. He starts discovering the potential of his voice and finds his calling. Far from quranic school benches and his grandfather. At the age of 6, he discovers the echo of his voice and its resonances. He remembers spending hours singing in the Hammam of the local village. The resonances produced by his voice in that cavernous place fascinate him, nourishing his ardent juvenile curiosity: young Dhafer discovers his favorite toy.
Moved by the child. Dhafer undertakes the task using a cheap plastic microphone.
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His voice flows from the top of the minaret. Its resonances gain altitude. It is his first encounter with an audience, an experience that will remain engraved in his memory seven studio albums and hundreds of world live performances later. A few years later, Dhafer Youssef joins the local liturgical song troupe as a vocalist. However, this experience does not last long because of the increasing politicization of the group.
Far from places of worship, Dhafer now tries the Oud at the youth center in Teboulba. This is where he discovers the electric bass and the groove, which leads him to play at local weddings before joining the Radio Monastir singing troupe. Young Dhafer is selected to join the orchestra by its founder, Mesbah Souli, a violin player, member of the Tunisian National Troupe and music professor. Aspiring to explore new horizons, Dhafer Youssef leaves his home village for the capital.
In Tunis, he joins the musical conservatory at Nahj Zarkoun. Dissatisfied with the quality of teaching, he moves to Austria with the ambition to complete his musical training. The creative exaltation provided by multiculturalism in Vienna and the multiple encounters he has there open for him a new world of possibilities. After he starts studies in musicology, Dhafer realizes that he is not interested in academic training anymore. Seduced by jazz and other musical genres such as Indian music, he takes part in numerous jam sessions and encounters at different bars and clubs with for instance Wolfgang Pusching. He finally meets Gerhard Reiter, the Austrian percussionist with whom he founds his first band, .
In 1. 99. 6, his multiple discoveries and experiences in Vienna give birth to his first album . This album is the result of an atypical encounter with Anton Burger, Achim Tang, Jatinder Thakur and Otto Leichner. He presents his project at Porgy & Bess, the renowned Viennese club. After a successful first night, he is offered a carte blanche and starts a series of monthly concerts at the club.
There he meets Nguyen L. In this album, the European jazz melodic structures meet a Mediterranean groove of a particular form. This marks the beginning of an authentic musical identity impregnated with the artist.
Acclaimed by the critics, he goes on a successful European tour before going back to the studio with a new project. In 2. 00. 1, he records . In this first experiment with electronic music, the sound mixture is exalting.
A result of his interest in vocal undulations and resonance, the jazzy music of . In this album, the search for new sounds intensifies and the result is exhilarating.
The symbiosis between the Oud and electric sounds is increasingly organic, and alchemy operates between great artists from the electro- jazz Scandinavian scene: Nils Petter Molvaer (trumpet), Bugge Wesseltoft (piano), Eivind Aarset (guitar), Auden Erlien (electric bass) and Rune Arnesen (drums). This surreal equation is resolved with the release of .
The sound is resolutely thrilling without losing its ethereal quality. Spiritualism is asserted, manifesting itself unapologetically and far from stereotypes.
The album is marked with the sounds of Arve Henriksen and Marilyn Mazur, together with Dhafer. After the 2. 00. 3 nominations for the BBC Awards for World Music, . It is also a musical manifesto which removes the barriers between the notions of sacred and profane.
Accompanied with pianist Tigran Hamasyan, drummer Mark Giuliana and double bass player Chris Jennings, Dhafer Youssef goes back in this album to a more jazz and groove style. Without forgetting the artistic identity that he has forged through his experience and a continuous search for sounds, Dhafer Youssef transcends genres. Dhafer. Dhafer thus alternates musical projects and collaborations such as a duet with the legendary tabla player Zakir Hussain with whom he performs on a sold- out tour in Europe and India, a duet with Dave Holland, and a Digital'Africa project with the great kora master Ballake Sissoko and Eivind Aarset .. These collaborations are sources of development and inspiration for the artist who is always insatiable for new sounds. This is also often an opportunity for him to meet exceptional musicians with whom he develops relationships and artistic exchanges that go beyond these collaboration to integrate his own creations. Dhafer has indeed displayed since the beginning of his career an unbridled curiosity and a constant search for renewal and discovery, which is reflected his collaborations with artists of plural origins: India, Norway, Armenia, Turkey Austria, USA, Mali..
Dhafer. Critics note his outstanding performance in the soundtrack of . The latter invites Dhafer to a new collaboration in 2. Other examples include . Indeed, he is today considered to be the most inventive Oud player, and a leader of the movement referred to as contemporary music, which fuses Eastern and Western music. He has managed the feat of bringing the Oud, an instrument foreign to the jazz to get it out of its traditional role and form and creatively confront it with various musical genres from electro music to jazz. What a sign of recognition then it is for Dhafer to play that night in a duo with none other than the ambassador of International Jazz Day, master Herbie Hancock and to be later accompanied by Wayne Shorter in his rendition of . Constructed as a film soundtrack, .
Dhafer Youssef's voice accompanies the clarinet of Husnu Senlendirici and the Kanun of Ayta. He also collaborates again with his comapnions Eivind Aarset on the electric guitar, Nils Petter Molvaer on the trumpet, Kristjan Randalu on the piano, Phil Donkin on the bass and Chander Sardjoe on drums. It is a new milestone in Dhafer.
It is in this vibrant city that the genesis of the most anticipated album of 2. With his extraordinary ability to transcend genres and the limits of simple meters, Dhafer plays with the asymmetrical quality of odd meters to deliver a musical feat of intriguing complexity that yet remains infinitely beautiful and apprehensible. That is where the genius of the composer resides. It is a vibrant encounter of tradition and contemporary influences, a universal call for peace subtly delivered. The album to be released on September 1.
Tunisian composer asserts his position as one of the most innovative musicians of the last decade. La maitrise de la performance vocale est pour lui un h. Il se souvient avoir l. De quoi alimenter son ardente curiosit.
Micro plastique en main, Dhafer se donne . Sa voix jaillit du haut du minaret. Abandonnant les lieux de culte, c.
Cette tournure le propulse dans un autre monde, celui des f. A Tunis, il rejoint le Conservatoire de Nahj Zarkoun. Insatisfait de la qualit. Cet opus est le fruit de diverses rencontres qui marqueront .
Le musicien indien Jatinder Thakur montre avec les rythmes de sa tabla une voie riche en possibilit. Et le contrebassiste allemand Ackim Tang offre de la consistance . Encore plus de rencontres s. Le chemin de Dhafer croise aussi celui du trompettiste italien Paolo Fresu qui l. Au fil des concerts, Dhafer Youssef gagne en maturit. Le penchant lyrique s. Le cocktail sonore est enivrant.
Dans cette collaboration, l. Il collabore avec lui sur le morceau . La formation est aliment. La puissance de la voix de Dhafer s. Il alterne en effet projets musicaux et collaborations tel un duo avec le l. Il faut dire que Dhafer montre depuis le d. Celui- ci invite Dhafer .
Construit comme une musique de film, cet opus est un album tr. La voix de Dhafer Youssef y accompagne la clarinette de Husnu Senlendirici et le Kanun de Ayta. Ce concert grandiose qui regroupe chaque ann. Le nouvel opus de Dhafer Youssef est enregistr. Seine Musik ist Bekenntnis und Manifest zugleich, Selbsterforschung und Offensive im Spannungsfeld der Kulturen.
Aber da gab es auch einen Funken Neugierde darauf, wie das, was er in den sp. Sie ist zu 1. 00 Prozent aus dem Geist heraus entstanden, den ich hier gefunden habe. Auf der anderen Seite st. Autofahren hier ist beispielsweise die H. Oder manchmal schaut mich jemand auf der Stra. Ich bin da vielleicht zu euop.
Es ist Herausforderung, aber auch ein Refugium, von wo aus er seine eigene Identit. Sie ist mein Instrument, meine erste T. Wenn ich die Oud am Morgen nicht ber.
Sie ist mein Kompagnon, sie soll zufrieden sein, genau wie ich selbst. Auf der anderen Seite habe ich das Gef.
Ich habe erst wenig davon ben. Das ist auch eine Frage des Alters. Es wird einem eher klar, was sch. Und es ist auch ein Abenteuer.
Einige davon bilden seitdem sein aktuelles quintet: der Gitarrist und Soundscape- Spezialist Eivind Aarset, der Pianist Kristjan Randalu, der Bassist Phil Donkin und Schlagzeuger Chander Sardjoe. Es ist intuitive, weitschweifende Musik, die ihren Ursprung in orientalischen Erz. Herbe Wucht steht neben feinen Ornamenten, als Kontrast und zugleich als Komplement zu Youssefs Ideen. Manche Stellen wirken langatmig, einem eigenen Tempo geschuldet, andere anr. Seine Lippen und meine Stimmb.
Es ist ein Album, das sosehr Dhafer Youssef verk. A boy walks along a deserted shoreline picking up the odds and ends he finds lying around: A broken fishing net; a few discarded sardine cans; spokes from an old bicycle.
Et (beaucoup) plus si affinit. Son attirance pour Chantry a tout du coup de foudre. Toutefois, il subsiste un petit obstacle aux pr! Au fil du temps, leur complicit?
Faire en sorte que Chantry quitte Ben ? Faire semblant de se satisfaire de cette situation bancale ou bien tenter de la conqu? Leur relation amicale va ?